SMH Article: What Sydney can learn from London's approach to brutalist architecture

"The late 20th century was a unique period in architectural history in which buildings where designed to serve a social purpose. Brutalist buildings used the most basic material to keep costs down, and were most commonly built to house low-income residents or institutions.

Unlike 18th-century houses, their importance is about historic interest, rather than an aesthetic interest. Sirius, just like Trellick, Balfron and the Barbican in London, illustrates important aspects of the nation's social and cultural history."

Last week I had an opinion piece published in the Sydney Morning Herald on brutalist architecture in Sydney and London. You can read the full article here. 

Photo by Jessica Hromas via SMH

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'Rom': Europe's first heritage listed skatepark

'Rom' is iconic in British skate and Bmx culture. It represents a time when skating was a little more raw – much like its roughness of its own surface.

When I first started sessioning skateparks in the late 90s, it was common to see wooden indoor and pre-fabricated outdoor skateparks in videos and magazines. But every so often an image would pop up of this huge outdoor concrete skatepark in London made up of mogul bowls, pools and downhill snake runs. 

Far from the smoothed surface skateparks being built in the 1990s and 2000s, Rom from back in the '70s was bumpy, rough and raw. I couldn’t wait to one day check it out.

Built in 1977, Romford skatepark has for decades attracted Bmx and skate talent from across the world. 

Fast-forward 15 years, and I’d still never visited... 

That was, until a text came through last week, “who's up for a Romford session?” A couple of days later a group of us were jammed into the back of a van, heading east towards 4,000 square metres of pure concrete.

It seems the excitement of Bmx and skating hasn't worn off in our older age. Exploding out of the van, we spent hours carving seemingly endless lines over humps, bumps and massive transitions. 

Everything about this place characterised - to me - the early years of skate and Bmx culture. 

Originating from the surf lifestyle of Southern California in the 50s and 60s, early skaters explored swimming pools and concrete drains to surf. Over time, they began creating purpose built parks, which still gave the sensation of carving a wave. Rom – England’s oldest surviving skatepark – is the perfect example of this.

The bowls and snakeruns weren’t created for the modern, tech kid. But they represented the old-school style of skaters who preferred high speed carving lines.

70s snakeruns were designed to feel like a never-ending wave. 

Merlin carves while Mike records the sound of his tyres.  

Local shredders at The Rom can skate bowls like few others can. 

Mike Mansfield carving through the over-vert half. 

It was no surprise to me when I heard last year that Historic England would give Rom a Grade II heritage listing. The park has become an icon of the British skate and Bmx culture. Although both sports have blown-up into the mainstream in recent years, the park represents a time when skating felt more alternative and raw .

As we hopped back into the van and drove back towards London, I was so psyched to have finally check out this piece of history. With the threat of destruction of loads of amazing parks in recent years, it's awesome to know that at least place is immune. I can't wait for some solid afternoons here in summer 2017. 

For a complete rundown on other incredible places to visit in England, be sure to check out the Your RV Lifestyle's comprehensive list.

Tom

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Why I like Brutalist architecture

Brutalism seems to divide opinion like no other type of architecture. Between the 50s and 70s huge, grey, concrete buildings were built across cities around the world. While a lot of people hated their ‘inhuman’ and overbearing aesthetic, the architects designing them thought they were creating a new kind of utopia.

Until a few years ago, I knew nothing about this type of architecture. But it wasn’t long before I fell in love with taking photos at The Barbican Estate, and soon learned a bit about the movement.

Whether I love or hate the look of a particular brutalist building, I now really appreciate what it was trying to achieve. Now, every time I head off to a new city, I seek out these buildings and try to learn a bit about what they were trying to achieve in each place. From scanning the internet, it looks like other people love it too.

The term ‘brutalism’ comes from the French word ‘brut’, meaning ‘raw’. That’s exactly what these buildings are. So different from elegant design and detailing in the past, their designers used rough concrete with hard textures, and showed-off elements of the building that used to be hidden, like lift shafts.

The thing that I think is cool about brutalism is not the way it looks, but that it was designed with the best, optimistic intentions.

After the World War II, Europe was trying to rebuild its cities in a way that fixed a lot of its problems from the past, and Brutalism was all about trying to make buildings as cheap, functional and equal as possible. By making sure the building’s foundations were exposed, architects hoped that the ordinary could be seen as an art form, and in doing so - make them attractive to every person in society - whether rich or poor.

A key element of brutalism in London was the idea of creating ‘streets in the sky’, which would connect apartments blocks or offices. The idea was that neighbours could talk, kids could play and people could walk to work way above the fast-moving traffic below.

In the period of two decades, once low-lying urban areas were quickly transformed by towering concrete structures by architects and planners who envisioned a utopian city, where residents lived equally.

The ideas were cool, but in practice, it didn’t take long before the brutalism movement came to an end. It’s considered a social experiment, which didn’t really work. People soon realised that these buildings created strange ‘placeless’ spaces and restricted pedestrian movement through urban areas, which encouraged isolation and crime.

After harsh criticism for years, many of these buildings were demolished and some have been preserved. In London, my favourite surviving examples are Robin Hood Gardens, Balfron, Trellick Tower, and The Barbican.

The thing that I find super interesting about the Brutalist Movement, is how bold these planners and architects were: they saw a problem in society and they set out to find a solution for it through design. Sometimes I feel like society lacks some of that audacity these days. We have as serious housing shortage in London right now, and no one seems to be doing anything to fix it.

To me, this style of architecture represents a group of optimistic designers who were experimenting with a courageous idea - and that’s pretty cool.

Photos and film copyright Tom Oliver Payne.

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Exploring London's 3 best graffiti neighbourhoods

Ever since I was a kid, I’ve been exploring. And not much has changed now that I’m in my 20s. But when I go somewhere new, I don’t just sit in a café, or see a boring landmark. Instead, I discover random parts of a city, hang with other creatives and check out exciting new ideas.

This week I teamed up with Converse to explore my own city like I haven’t before. I decided to seek out the neighbourhoods which not only attract street artists from across the world, but are at the forefront for young artists who are forging new paths.

Converse (Chuck Taylor II Neon) was the perfect partner to explore the adventure this incredible city has to offer. Chuck II is a product synonymous with pushing creative boundaries – something which is fundamental to who I am. That, together with a commitment to enabling young people to think bigger, they were a refreshing wingman on my exploration of London’s urban art.

1. Shoreditch

Shoreditch is the centre of London’s street art scene. Streets like Brick Lane may be popular with tourists, but it’s also where artists have their work recognised right across the world.

I took off up Hanbury Street, which is coated with some of the best murals I’ve ever seen. Then, heading to the Nomadic Gardens, I met some barefoot hippies and chilled in one of the most colourful public spaces in London. Huge art works spread across the railway tracks and small little throw-ups surrounded the community campfire. Awesome.

Shoreditch may be the centre of London’s street art scene, but that’s not to say leave it off your bucket list – just make sure you explore the backstreets.

2. Camden Town

Camden Town has been synonymous with music and creativity since the 60s. And today, it continues to be more inspirational than ever.

Heading past the world-renowned Camden Lock Markets, it was just a matter of seconds before I was down some laneways and surrounded by some seriously amazing shit. A super detailed artwork by Otto Schade acts as a memorial to Amy Winehouse, and a huge piece by Dan Kitchener is – in my opinion – his best addition to his ‘Liquid Lights’ series.

But there was one bit of paint that caught my attention in particular. Created by Pang, this was beautiful portrait of a recent Syrian refugee in London. Apparently the man came to the alleyway himself to help complete the piece - a cool reminder how art can influence the political world.

Camden’s creative scene has continually broken barriers, and just like the music, its street art scene seems to only get better with age.

3. Hackney Wick

Hackney Wick is a neighbourhood where young people are generally free to make noise, party, and paint walls. Not only does the cheap rent offer the perfect place for creatives to live, but its huge old warehouse spaces give plenty of room for imaginative musicians and artists to experiment with fresh ideas. Just about every wall in Hackney Wick is covered with vivid colours from an emerging new artist.

By the time I was done checking out the The Wick’s graffiti scene, it was time to indulge in some music. It’s a good thing my Chuck II’s were super comfortable for the full day out… and of course a night on the dance floor.

As a young creative in London, it’s important I’m always seeking out the next opportunity. It doesn’t matter where I am, or what time of day it is, I’ve got to be ready for whatever comes my way. Psyched to team up with Converse on this adventure, I couldn't imagine a better collaboration to explore the neighbourhoods at the forefront of the city’s street art culture.

Chuck II's are available from Converse.com.

Photos by Sam Jackson and Mali-Koa.

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I just rode down to Canary Wharf, London. It wasn't that bad.

Located in the Isle of Dogs, Canary Wharf is now one of the largest financial centres in the world. Following years of political debate and local opposition, the initial masterplan was approved in the early 1990s, and a series of development stages have followed, creating a total of 400,000 m2 floor space.

The site has been highly criticised on a number of fronts; sterility, lacking cohesion with London and having been developed with too much public investment from the public sector.

But is it still too soon to judge?

Like most master plans, Canary Wharf has had teething issues (it isn't exactly the most people-friendly environment). But given the current economic climate, hind-site may shine a more positive light on the place that has given office space in London a place to breathe.

And besides all of that, I thought the tall towers looked pretty cool, so I took some photos!...